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Desire Path
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2024
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As we rode in our crimson carriage into the depths of the black forest, the peacock's performance had just begun. She bestowed upon me a beautiful tail feather, whispering, "To find liberation, one must dance." And so, by the flickering flames, emerged many fragmented souls. As the peacock fell, a bronze dagger pierced her chest, igniting a frenzy amongst those gathered. Yet, they remained entranced by her, even as her body lay broken. The crimson carriage bore the weight of countless souls, yet she reassured, "All will be well, do not mourn.
Taking the historical practice of foot binding among ancient Chinese women as a poignant entry point into the objectification of women, this project aims to explore the male gaze on women from antiquity to the present day. The focal point of the installation is the water sleeves of traditional Chinese attire, serving as symbolic markers.
The metaphor of "desire path" aptly encapsulates the objectification of women. Like desire paths, which emerge as convenient shortcuts in transportation due to human or animal traffic, the objectification of women arises as a consequence of societal norms, desires, and expectations. Women are often relegated to predetermined roles and expectations dictated by the male gaze, carving out paths that are easiest for society to traverse. These paths may not align with individual agency or choice but are rather shaped by external pressures and expectations. The repeated trampling of these paths further reinforces societal norms, making it challenging for women to deviate from them. Thus, the "desire path" serves as a powerful metaphor for understanding and challenging the objectification of women, highlighting the need to recognize and navigate alternative routes that prioritize autonomy and agency.
Duet
Choreography
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