An artist, choreographer, researcher, educator, and cultural producer working across performance, moving image, installation, writing, and artist-led public programs.

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Her practice treats the body as a site where history is neither preserved nor resolved, but pressured into form. Movement appears as evidence, refusal, residue, and method. Across stage, screen, site, archive, and text, she examines how bodies are made legible by cultural systems, how images continue to govern perception after an event has passed, and how performance can think where language becomes insufficient.

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Moving between choreography, visual culture, ritual studies, feminist memory, and institutional critique, returning to the same question from different materials: what does a body carry before it is allowed to speak?